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Since 1993, I have been developing a barefoot Flamenco choreographic body of work that emphasizes creative self-expression and connection to my a...

By Puela Lunaris

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Madonna: a case study

When I use the term “The Archetypal Experience of the American Dream", I am referring to a certain mentality, that I have found in the US, which allows people to –first of all- ...

Do you remember the excitement of the new year?

Beginning a new cycle?

Your new year's resolutions?...

Or is that excitement of the New Year/New You gone… and what's left is the "same old, same o...

In 1994 I began The Chanelar Flamenco Project as part of Dances of the World Society's focus on preserving aspects of  Flamenco in danger of extinction, specially the oral tradition.

I am delighted t...

Although I have been a dance teaching artist since 1994 and I have learned a lot from experience, the study entitled the Blueprint for Teaching and Learning in Dance, created by the New York City Depa...

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The Blueprint for Teaching and Learning in Dance was developed with the advice and counsel of the members of Dance Education departments on college campuse...

This is a Choreographic tribute to one of my Flamenco dance heroes:  Antonio Gades

He was a non-gypsy dancer and choreographer well loved by everyone, gypsies and non-gypsies alike.

As his sources o...

Often times I am asked if Barefoot Flamenco is something I have created? The answer is NO, I cannot take credit for that, and nobody really should.

With the Lunaris Barefoot Flamenco Tradition (LBFT)...

It has been my greatest honor and joy to have the remarkable Gitana dancer from Sevilla, Pilar "La Faraona" be my friend and a very significant person in my life.

She was the daughter of my mentor Ma...